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akaneskiryu
aerynelliott--disqus

This reminds me that my favorite Rifftrax ever is Bill Corbett and Mary Jo Pehl riffing the first X-Files movie.
"Mary Jo, WHAT ABOUT HIS MEN!?!"

The moment my friend and I fell in love with that movie is when the troll hunter guy walks up decked out in homemade armor and just growls out "I don't get paid enough for this."

I agree. Although the fact that his character's name is apparently "Doom-Head" makes me wonder if this is just a feature length Rob Zombie music video.

I had to look him up and then I remembered he was the guy I used to get confused with Callum Keith Rennie. I kind of get what you mean, as I thought he'd been a bigger presence in some things but really all I remembered him from off hand is Batman Begins and Doom. Apparently he was also in Rob Zombie's Halloween II.

The thing is most of his ideas (save The Devil's Rejects and maybe Lords of Salem) aren't really that great of ideas. House of 1000 Corpses is Rob Zombie's The Texas Chainsaw Massacre. His ideas for Halloween (getting inside the mind of a killer that was better off as an unknowable force) were the exact wrong

I'll take your word for it. It's not one of those movies where I thought "there's a decent movie in here somewhere."

Eh, it was better when DeviousVacuum was doing it, while also exploring some of other bizarre "Girl Games" such as "Monster High Baby Doctor" and several variations of "Hold Mouse Button to Kiss Boy But Don't Get Caught" game.

Well at least his last album was better than anything he's done in a while. I'm really sad about his film career. I thought after his first two movies (House of 1000 Corpses wasn't a perfect movie, but it did feel more like what I would expect of a '70's exploitation movie made today) he was going to continue to grow

"I'll fork-give you if you fork-get."

It was just Crybaby Clown. That show was fantastic.

All I know about Fitty I learned from Blood in the Sand. Which is to say I learned don't take Fitty's skull and to always, *always* hit that big ass ramp.

Goddamn late '80's/early '90's animation was weird.

I miss Mitch Hedberg. Nothing funny or anything at all to add. Your comment just made me remember how much I miss my favorite comedian. :(

I remember reading an article about Chuck P.'s man cabin that he shared with his "hetero life bro" or some such stuff where he was "free from the interference of women" and nonsense like that. Guy creeps me out.

Yeah, no, Chuck P. actually thinks that way, even if there could be an argument made for David Fincher turning it into satire in the movie (which I'm not sure I really believe).

This is just one of those movies like Pain & Gain where I can see people not liking it but don't understand the outright hate. I also enjoyed the shit out of this movie, far more than I thought possible, much like Pain & Gain.

Fuck if I know. I dated someone who was 10 years younger than me and at times it was a real struggle of "what is even with you and your dislike of things that have a slow pace?", among other things.

Yeah, Reno is a French spy sent to cover up "their mess" as he says. (Side note: Reno is having way too much fun and doesn't give a shit and I love it.) I didn't notice the political aspects of it at the time, I just noticed that it was different from all the other Godzilla movies I had seen.

I haven't seen any of that one. I don't think I want to.

Ugh, don't remind me of that last animated Boxcar Children *thing*. I've seen some bad animation before but that animation was the first in a long time to unintentionally creep me out with every single frame I'd catch when the kids were watching it. Thankfully they only watched it once.