“At close to the speed of light”

Just listened to part of their cover of “I can’t go for that”. It was decent, definitely not as good as the original to me, but a good rendition. Also listened to Maneater cover and same thought, but way better than the grace mitchell version I listened to.

I have no idea who grace mitchell is, but if anyone thinks that version is better than Hall and Oates, fucking YIKES. I couldn’t listen to it for more than 10 seconds.

#troof

How “strong” tungsten is, is completely irrelevant. I’m sure 45 pounds of anything dropped from that height onto that roof would’ve done the same thing.

I’m inclined to agree with this take. Lag at a standstill seems like a complete non-issue to me, and it seems logical that that lag wouldn’t be present if the vehicle was actually moving. 

The internet was a mistake.

Perhaps not surprisingly, I agree with Abradolph Lincler 

I had forgotten that she directed My First Mister. She got really great performances out of both Albert Brooks and Leelee Sobieski in that. 

WILL! Great to see your work :)

I had read an interview with Michael Emerson where he lamented that after a long career he finally had a kissing scene on Person of Interest, and it was with his real-life wife Carrie Preston. So I was weirdly happy for him that he got to do that messed up but hot scene with Christine Lahti

She is incredible in Evil. Every scene she is in is either hilarious or completely messed up and mildly tragic. You absolutely root for her though.

It’s not like Lahti is bereft of worthy credits, but I confess I skimmed to make sure Housekeeping was on the list.

I’ll allow it.

The only byline I’d like to see on this site more than Will Harris is Sean O’Neal.

It happens everywhere. People get jobs because of family all the time. Most of those insufferable “business” books stress building a network and they always stress that your first network is always your family.

And sometimes it takes them a few tries to find what they are good at.   Sophia Coppola comes to mind.  

Didn’t you just reinforce the point, though, that he was given opportunities that turned out to be crap and the industry pretty much called it a day with him?

Except the economic motivations of those hiring nepo children isn’t to fill a role that sells a lot of tickets, it’s to create a generational talent with access to the same network of contacts and producers that the parent had. Lily Rose-Depp, Scott Eastwood, Zosia Mamet. These aren’t actors getting jobs because…

Yeah, they might get a break or two that someone else wouldn't get, but if they stink, they won't get jobs.