You know the climactic battle between H.I. and Leonard Smalls at the end? That’s where I am. And it was completely by accident.

Agreed. I like both films for wholly opposite reasons.

I wish I had a dozen likes for this comment, because Raising Arizona is, for me, the Coen Brothers’ masterpiece. And yes, that includes one of my all-time favorite films, The Big Lebowski. Raising Arizona is just so tightly scripted, directed, and acted that it becomes eminently rewatchable even for mainstream…

It’s somewhat ironic to say in the age of the Internet, where there is a channel for every weirdness and voice, that I miss the UHF and public access channels of my youth.

If there’s a spinoff (especially if it involves Roy Kent), let this be my declaration that I would happily review it!

The reason nobody cares about the 1998 Godzilla is that the movie was a desperate attempt to capitalize on Jurassic Park fever - turning Godzilla into “biggest velociraptor ever.” Hell, the whole marketing campaign behind it laid it out pretty baldly - unsurprisingly, since The Lost World had just come out the year…

I can take or leave the movie, but the soundtrack...

Exactly. Tell me you weren’t born yet in 1982 without telling me you weren’t born yet in 1982.

It’s one of those compulsive watches - the kind that, prior to the On-Demand Era, you’d stop while channel surfing and watch on your local network station when they’d repeat it.

Woof, I hope Keeley wasn’t his childhood crush - that’d make things extremely weird!

On an intellectual level, I kinda get it. Lots of people who have felt underrepresented in pop culture are desperate to see representation, and ‘shipping is one way for them to express it publicly. But sex stuff that doesn’t directly serve a narrative is, at best, egregious. At worst, it becomes a cultural flashpoint,…

Well, that one’s fairly plausible. After all, Jamie’s mom has had THAT POSTER on her home’s walls for so many years...

Once again, I am one of the (few?) people watching this show who could have used another hour of this episode, I loved it so much.

Full disclosure, Cristin Milioti could find chemistry with a block of wood.

No love for Newhart?

That ending was more of a “fuck you” to the network than anything. Hell, the whole last season was an extended raised middle finger to NBC for cancelling the series.

Chuck unfortunately suffered from being on the verge of cancellation every season after the second, so from that point on it was basically just thrown together at the last minute.

Now that I’ve had years to let the betrayal of the finale fade, I have to agree - this might have worked if they had found a cipher to play The Mother, some glorified extra, or even alluded to all of Ted’s marriage in a backhanded way like they referenced The Mother in the previous seasons.

Take your bloody star.

God, I love this deep cut.