As long as there’s no more Ahsoka. She’s such a bland, one-dimensional Mary Sue, and yet they insisted on sucking screen time away from the more interesting characters (IE, all of them) in Rebels.

So the twist is that it’s a good movie?

All I can think of is the Why-Wolves from Adventure Time.

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Comments should never be longer than the article they’re commenting on...or three times as long. 

Opening scene: Gordon tries to capture a monstrously strong mutant who just robbed a pharmacy. Said monster proceeds to comically bend Gordon’s crowbar in half then fling him around like a ragdoll. Gordon keeps trying to fight, despite the obvious impossibility of success, because He Never Gives Up. It’s pathetic.…

"Put Captain Boomerang in the cargo hold"—Boba Gordon.

It is bat-shit insane.

Because when Bruce meets up with Selina, she is uh well, shes tending a pigeon coop. A pigeon coop. The girl who will become Catwoman is taking care of birdsbirds that, it should go without saying, that have never been mentioned in any form or at any point on the show.

How effective is this? I despise AoS and even I’m thinking about looking at it just to see him and I didn’t even read his book. That’s how effective this is.

I’m not a white male. I still can’t see the problem.

Sorry I really don’t see the problem with this.... If there is an issue can someone please explain it to me.

I don’t know... the design aesthetic feels like it’s right out of Beetlejuice.

I get the feeling that Rocket and Frank would get along like a house on fire and the criminals are on fire because both Rocket and Frank set the house and criminals on fire.

Chris Pratt would like the Punisher to team up with the Guardians in a future installment:

On a related note - was CSI: Miami the worst serious cop show ever or was it the most brilliant parody ever??

Starring David Caruso as the over-excitable Science Officer Horatio Caine from the planet Nacluv.