90's young women's apparel: Bunchy sweaters and flannel. The bane of all teenage boys.

Which makes it my original point that fan-based film projects are simply not successful if made to appease the established fanatics first and everyone else second.

That's Rescue, aka Pepper Potts.

Oh THAT'S what it was! I saw it and went "hmm?"; before I could rewind it, something distracted me after it and I just plum forgot.

Yep! That was him!

Hence, niche.

Thanks, found it by accident. WHERE WERE YOU WHEN I NEEDED YOU MOST?!

What I'm curious to know is why the army Bond was fighting in that clip decided closing the hangar door ahead of the plane was a good idea, seeing as how THEY WERE STILL INSIDE THE BUILDING WITH IT.

Seriously! WHY? Not to mention he/she was clearly hand-holding the phone, which means they were driving one-handed.

Source please! I want to read that tidbit!

Tell that to the box offices of Serenity, Dredd, Scott Pilgrim, and a host of other films that counted on fans to make the films hits, but in fact weren't.

See, here's the problem: the studio cares about the box office. If they feel through whatever system they're using to determine that Joe and Jane Average don't want to see a psychopathic anti-hero that's loaded with pop culture references and ultra-violence, then they wouldn't be making it.

I wasn't just talking about Maguire. Garfield doesn't have the chops either, which is why I didn't bother to mention him by name either. At least though Maguire could fill the nerdy outcast; Garfield's just some dashing skateboard-riding loner.

He needs a blood transfusion, STAT.

They're actually the majority shareholder, but not the all-encompassing owner of Sprint. They still do it worse than Softbank regardless.

*also, make more.

Goddamn, Japan can be so awesome sometimes. Sprint's got nothing on weird-ass families in their commercials after this one.

And now there are four! *

Actually it's kind of hilarious.

...or that her mother's coming to visit all next month.