PeterPiperPricksAPepper
Peter
PeterPiperPricksAPepper

[Misread what you said. Editing promptly. Un momento.]

Well, thanks for the correction. All of the diagramming was wholly unnecessary. Admittedly, I've never seen the word used in such a way before or defined in that context, so you are perhaps correct about the usage of the preceding article.

Also, another tip: going

Oh my! What an intriguing concept. I can imagine the wacky TV show set in the magical period Creationists believe we shared with the dinosaurs where the overly angry dinos "transition" into birds and the much more female humans have to learn to accept their "transition" and respect it. The humans think Dinos should be

David Ginmyravioli is the big draw for me. And the mythology of the show is pretty awesome, too, although it's starting to wear thin when the plot doesn't match up to it.

I actually enjoy Grimm, but it's one of those shows I have to turn off my brain for. A fair assessment, in that regard. And the acting isn't THAT bad, it's just generic. And David Ginandtonicinmycanoli isn't so bad. To look at or watch act. And I'm an actor (albeit in theatre), so I've seen some BAD acting.

Stay tuned for my book, where an AI is implanted into the consciousness of a human infant and allowed to grow and learn at the same time, sharing one body.

In other words, if AI were simply unfeeling machines, then yes— but the point is that they are Consciousness. Part of that is experience, and part of experience is

It seems they've...

*sunglasses*

Dug themselves into a vole. YEEEEEEAAAAAAAHHHH

....I'll see myself out.

Huh, how fascinating. Thank you for sharing, it adds just another layer to the article. Perhaps, sourced to one Topheh, it could be included in the article on edit?

It's okay, it will only effect our childr—

Wait.

WAIT. YOU EVIL SON OF BITCH.

I don't disagree. But it's also the best written part of the show.

That I don't disagree and still find it the best part of the show should tell you something about how I feel on Ryan Murphy's writing. She was the only character that was getting any character development, which for me is crucial. Without it, it makes

I have to agree with her cultural assessment. There's a discomfort in the change of our cultural norms, and that goes beyond male-female roles. However, I also feel like people needn't feel so threatened by it. By focusing on the change, we make it a bigger problem. Whether or not there's a true transition to be made—

I don't expect healthy and well adjusted. I expect them to explore the grey scale between black and white instead of just the black. I haven't seen the latest episode, but up until the episodes before that, all they've done is glorify the methods and actions of the witches. The only downside has been when more bad is

Nip/Tuck was hit and miss for me, but again it really kind of showcases Ryan's issues with sexuality. His characters always have to feel really, really bad about the sexual things they do. There's a difference between enjoying naughtiness and feeling trashy about your sexual choices, one that I'm not sure the guy

Shouldn't be working if people agreed with me, not that he isn't making people money. Poor phrasing on my part, admittedly.

Also...myriad as a word used in that context requires a word, like "myriad people" or "myriad dogs who happen to be watching FX when the show is on."

I kid, I figured that needed some levity. But

And making sure everyone is as sexually degraded as possible. Everytime they deal with issues of sexuality in this show, it's just to crush it down and make people feel really bad about it. I'm not speaking on sexual morality, either. It just seems to be one of those situations where the characters need to feel really

I can't get on board with this show. I wish I could. The rest of my family watches it. But I watch with them (we have an agreement that we all have to watch at least one other show that someone else in the family watches, forces us to save space on the DVR and to attempt to appreciate other people's tastes...my little

Actually, I know he knows Felicity knows. I had questions about Diggle— but it doesn't negate anything I said. Even if he knows Diggle knows, the rest of that STILL makes sense. So I'll just take out the part about Diggle and Felicity.

"Ollie has made is known he doesn't want Quentin revealing his identity or even

To be fair, and I hate to be THAT guy (I'm not a conspiracy theorist, mind you, this is as far as it goes for me) but given the structure of our modern economy, it isn't so far-fetched that it's all one giant company. Corporations have been eating each other into smaller (less numerous) entities for the last few

Ollie has made is known he doesn't want Quentin revealing his identity or even confirming it. Why would Quentin, a smart and reasonable guy, challenge that after giving his faith over to Ollie's alter-ego the Arrow? Once he gave Arrow his faith, if he knows it's Ollie he has to give Ollie his faith as well.

Also, he

I admit, a bit disappointed about that. I hadn't read that news, I was still under the impression he was going to eat that magic mushroom next week. However, so long as he's in the episode next week I can live with that. He was so adorable, well acted, and well executed even without powers that I just want more of him

I'm right with you. It's the last show that I save on my DVR. If I'm doing something else and have the attention span, I'll put Agents of Shield of Supernatural up (although after that truly awful writing in the last episode, less so). Sleepy Hollow is touch and go and I watch it on Hulu. But Arrow is the only s how I