KADizzle
KADizzle
KADizzle

Cool art, but what's with the micro fiction that goes with these?

Pretty cool, but that's not disco.

Pump Up the Volume was and still is one of my favorite movies!

Cool. How about these next?

This is so stupid. I mean, who the hell really believes that TV or the internet could...

I admit that I completely overlooked the word gravitas. When I saw "current pop star" I immediately thought of this chick. I wouldn't know if gravitas applies to her or not. I don't watch TV or listen to pop radio, so my knowledge of her exploits is weak.

I think this has already earned a spot on this list.

They pushed the shit out of this film when it came out, and I remember it falling on its face. You're the first person I've heard recommend it.

I saw Iron Giant in the theater. Was and still is a great film. Makes me want to go pop the DVD in.

Is this like a send up of late '70's-80's movies like Meatballs?

Nicely done.

I agree that it was a bigger film (certainly not better) than Max 2, but the two plots were pretty different. Max 2 was basically Shane mapped onto the apocalypse. Thunderdome, though also about energy resources, was a very different plot. A power struggle, sure, but you couldn't map the one plot onto the other. I

Fucked if I know, but we should have a trailer soon, don't you think?

According to people who saw a rough cut of the film, there are Australian accents in the film. The short blurb I read said that Hardy's accent was hard to pin down.

It's just a sequel, mate.

Sheeit. That's easy, and I hardly know anything about her. Lady Gaga, man.

One does not simply outrun Lord Humungus in a '98 Civic.

"The real thing we REALLY want to know is the plot, and how this alleged sequel fits into the previous Mad Max films."

I don't want to know the plot until I see the film. We've got a plot synopsis directly from the mouth of the writer/director. That's enough for me.

Yes. This. ^

Truth be told, I enjoyed Spook Country much more than Pattern Recognition or Zero History. I can appreciate the literary merits of Zero History, but I'm not sure it did much more than retread ground that he'd already covered in Pattern Recognition. He's still my favorite writer, but I'm hoping for something a bit more