Aren’t they dumping Deadpool in February anyways? That’s never a good sign.

Like most of the Civil War comic: it’s an interesting idea terribly executed.

Shit, do you think Cap has watched The Wire yet?

To be fair, though, if you want to be something like a bounty hunter, body guard, or private investigator, you often have to take classes and be licensed and registered with the state in which you want to operate.

In the comics, didn’t the pro-reg eventually start killing heroes and replacing them and using super villains to hunt down other ones? I recall it getting really absurd.

I have a hard time with super hero regulation because in the context of comics/movies, I get why you would be against it: we know the government are big bad guys up to no good! It’s an easy black & white world.

Agreed. I only have like 80 or so running in Skyrim, but I spent a long fucking time getting the ENB I started with to where I liked it, particularly with lighting. I think the custom angle is part of it because while mods are easier than ever to get up and running, knowing that there’s a level of uniqueness on it is…

I feel ya. I had a PS3 for most of last gen (built my PC about a year and some change ago for work mostly but the games aren’t bad either), which is why I never got around to playing it. Fallout 3 ran OK on my laptop until it died. Mostly just avoided Bethesda-related stuff except for when I was home and could play on…

I had never played Fallout: New Vegas (v timely, I know), so I’m giving that a go. I’ve also modded it some, which is fun:

Yeah, they’ve done the cross-over Zelda launch game before, and I don’t think they want to “showcase” a new console with a game built for the old one again.

I like Cloverfield, but he didn’t direct it, even if it was sort of his baby. Still surprised that blew him up in the way it did.

Last year I was kicking around the idea of applying to grad school but ultimately decided against it because I just financially can’t. A friend of mine who is at Harvard’s GSD was very upset at this and couldn’t understand what I meant by “No, my parents can’t help.” I hate it.

I was in a relationship like this in college, but it ended up not working out. I still think this was partially to blame. My family is technically middle class if you look at my dad’s income, but as I was growing up, my mother spent about ten years in and out of the hospital with unknown conditions—I have vivid…

Lighting wise this looks way better than Bergman’s (I maintain he’s sacrificing too much exposure). Stuff like how sharp the street is always throws me off a bit when the image is moving, though.

BAT/MAN: the uplifting story of how young Bruce Wayne overcame the grief of his parents death through therapy and founded the Gotham City Batmen professional baseball team and, against all odds, beat their crosstown rivals, the Jokers, in the World Series.

My main worry with Abrams has always been that he’s good at emulating his influences but it’s never gelled into a great film for me. I’m hoping this one bucks the trend, but everything about it looks like it heavily mines the OT in a way that’s very much his typical MO.

The degree to which their riding the nostalgia train on this is both understandable but endlessly disappointing. I want these to be imaginative and exhilarating, not just remind me of how I thought the old ones were like that.

Well, there is the scandalous Yaddle scene that’s already leaked.

As if Windows phones need more problems, now they want to kill you.

The problem is: let your world building be world building. It’s beyond cliche at this point that if you encounter some kind of old world structure, somewhere in the narrative the people who made it are coming back to kill you. That’s dull and ultimately ruins the mystery of it unless you can land it really, really…