I saw the movie in IMAX and was literally pulling away from the screen during those moments.

Except in theaters.

I kept expecting the title card for Fox DVD to come up during that trailer.

Netflix canceled those shows, not Marvel.

They can’t fire him — I’m pretty sure he’s on Disney’s corporate board and if they try to push him off, they would lose millions and millions of dollars.

I feel like she only comes off as insufferable because the movie and other characters refuse to take her seriously.

I mean, do we not?

I would, and have argued that it’s the best theme he’s done.

How does something not being over preclude what’s already happened from being silly?

But if he knows her well enough to give life to a robot of her, does he really need the robot of her to tell him what she’d want?

As a Paul McGann fan (a Paul McFann?), I really need to see that one.

I don’t understand. How are they able to impart the consciousness of a dead woman they’ve never met into this robot?

Goddamnit Dibny.

Franchise fatigued right into the 4th-highest-grossing movie of all time.

Eh, I feel like if they actually intended to bring him back for more than that brief cameo, they would have had a stronger actor in the role.

In that scene it constantly feels like he’s doing an impression, and not that he’s actually playing a character. That’s not what you want. I’d rather have someone who sounds different than Ford but is actually acting and capturing the spirit of the character than some guy who can just nail the voice.

Red isn’t allowed on the CW.

Wait, in the top frame, the hair goes all the way to the mask where it seems to be attached, but in the bottom ones we can see her forehead, which goes a long way toward selling it as real hair.

Wasn’t sure, cause it didn’t use any language indicating that, and just said “A new series” which implies the opposite.

Dead Men Tell No Spoilers