Is that Michael Fassbender in that gif?

Legally, it can’t.

I love it. If I could Doom-style speak in all-caps right now, I’d be like “DOOM LOVES THIS IRON DOOM DESIGN!”

They're talking about the 80s universe sending ghosts to the 2016 universe, though. Holtz's device has no bearing on that.

That's not really relevant to the discussion at hand. And the new movie doesn't have to be beholden to the rules of the old one. It's a reboot, not a sequel.

Because she gave up, just like before. They were bing quashed by the government, they thought they solved the ghost problem, and she gave up on it.

But we’re talking about 80s Ghostbusters sending ghosts to the 16 universe. The 80s Ghostbusters didn't send them anywhere.

You mean why she stopped working with Abby in their back story? Because she cared more about being respected as a real scientist and having a career than she did about ghosts.

The proton packs don't send the ghosts anywhere, they just wrangle them into the traps, where they're then put in a containment unit.

And yet here you are.

“Comicave Studios—who designed the statue alongside Marvel”

He must be in Japan.

“That’s the premise behind Champions, a new book from Mark Waid and Humberto Ramos being released in the wake of Marvel’s “Marvel Now!” initiative later this year.”

The fact that he’s still alive would indicate the opposite.

I don’t see anything wrong with that. Sexy people aren’t the only ones allowed to fall in love.

Then why even jump forward? Why not just let the stories resolve in the present? The jump forward only serves to show off the awkward pairings-off.

Except being one take isn’t the gimmick, the choreography is. In fact, I can only think of one of their videos where people cared it was one take, and that was because they did it in a freaking zero gravity plane, which was the real gimmick of the video. But otherwise what draws people is the cool dance, or the…

I was at a panel of Marvel editors and they talked about it. Also, the dialogue was improvised by Peña.

Actually the flashbacks were completely Peyton Reed’s idea.

They just did it in Orphan Black and it pissed me off. It was even worse, because it was a hard drive they were supposed to deliver data on.