Its not about the majority, its about the value of an artist’s work. This is work that a professional artist would charge a professional price for, rather than the significantly lower amount they will pay the public.
Also, I didn’t choose the restaurant metaphor, which has its limits. The point being that the art is…
Counterproductive
Counterproductive
The difference is that that Perkins isn’t compiling books of children’s drawings, then turning around and selling them for $60 each.
Well if the denizens of the video game version of Osaka want to yell at me for saying the castle that doesn’t exist is under the wrong virtual city, they know where to find me.
I am okay with this.
Luke, temper your expectations. While it is a Yakuza game, and thus a great game, it also has a giant golden castle buried beneath Tokyo.
Again, you’re making a lot of assumptions about the writers mind and influences, none of which are supported by the work.
Do you think that your hundreds of mods may have had an affect on your load times?
What does that have to do with sexual undertones?
By all means, please go through the scene for me and indicate where anyone but Kara was emotional.
Having played the game, including all the variations of the scene in question, and actually understanding the context of the setting, the scene was devoid of emotion entirely. Kara was no more a sexual object than she was a human being, and Zlatko interacted with her in no different a way than he did any other android…
There really aren’t. Perhaps that’s what some choose to impose upon the scene, but at no point in this scene is the android treated as anything more than an object that is broken.
Hey man, I liked Force Commander.
If a passenger tried to board a flight with a rash and swelling like that, I wouldn’t have taken the passenger’s word that their affliction wasn’t communicable without some kind of proof. How would the flight attendant know the passenger wasn’t actually contagious? They’re not a doctor.
Could be. I don’t remember that DLC enough to say, but it sure looked sufficiently big-footy when it grabbed me.
That function actually goes all the way back to the original Phantasy Star on the Master System. As I recall wood canes cast Fire, and wands cast Wall.
Funny story, you’re absolutely right, there is, and they do. There is an arcade map that uses it. Its a deathmatch level, and you’re out there killing the opposing team while Bigfoot wanders around randomly, just wrecking anyone close to him. If you get caught, Bigfoot picks you up and there’s a quicktime event to get…
Sony wasn’t the ones giving the interviews and talking about features that were incomplete. Sean Murray’s naivety in game development was the cause, and his team’s failure to hit those milestones prior to launch were a result. If anything, Sony should have reigned him in.
I liked the first Samer better.
Check out MEUITM, aka. Mass Effect Upgraded/Improved Textures Mod.