In the opening moments of Deadpool, Ryan Reynolds turns directly to the camera and asks a rhetorical question: “Whose balls did I have to fondle to get my very own movie?” (The answer: “I can’t tell you, but it does rhyme with Polverine.”) As with everything else about Deadpool, there are layers at work here. Ryan…

One day, we’ll get the Avengers party movie. Maybe. Hopefully. The best scene of Joss Whedon’s 2015 blockbuster Avengers: Age Of Ultron arrives early on, after the Avengers bust up a HYDRA compound in Eastern Europe and retrieve Loki’s stolen scepter. They’ve all returned to the Avengers Tower in New York, and they…

Marvel was feeling itself. That’s the only real explanation. The comic book company had recovered from bankruptcy, blown out the idea of what a movie franchise could be, and been absorbed into the Disney maw. It had gotten the general public involved in dorked-out comic book ideas about extended continuity and…

Zack Snyder hates Superman.

In the past decade, Hollywood has attempted to transform the franchise into something else: the cinematic universe. It’s a lofty and slightly absurd goal. Movies, we are now to understand, never exist as stand-alone stories, unless they’re arthouse flicks or Oscar bait (and even then, maybe not). They don’t exist as…

“The Marvel Universe has gone nuts; we’re going to have a fricking Captain America movie if we’re not careful.” This was Zack Snyder speaking to Entertainment Weekly in 2008. Every once in a while, that quote finds itself recirculated online, evidence of Snyder’s philistine ideas about superhero movies and what a…

A funny thing happened to action movies in 2018: Horror movies swallowed them whole. This wasn’t an across-the-board thing, but a lot of the year’s best action movies weren’t just action movies. They existed in some lost B-movie nether region, a place where historically disrespected genres come together and commingle…

Scott Pilgrim is not a superhero. He is not a hero. He is only barely a functional human being. He is a dipshit. So maybe we should be talking about Edgar Wright’s Scott Pilgrim Vs. The World in a column about dipshit movies, not one about superhero movies. (Side note: I would absolutely read a column about dipshit…

In a lot of ways, Watchmen, the comic series that Alan Moore and Dave Gibbons started publishing in 1986, is a story about the folly of human ambition. It’s about superheroes, and yet there are no actual heroes in the book, super or otherwise. The characters dress up in masks and costumes to serve as forces of good,…

Midway through Christopher Nolan’s 2008 movie The Dark Knight, the Joker gets himself arrested so that he can then break out of his holding cell and continue his grand experiment in human darkness. While he’s locked up, he’s placed in the custody of the Major Crimes Unit, the police force that’s supposedly been…

Here’s a fun mental exercise: Describe Venom to a child. I’ve tried it. It’s ridiculous.

If Christopher Nolan’s Batman Begins was the first movie to really take superheroes seriously, then maybe Bryan Singer’s Superman Returns, released the following year, was the first movie to take superheroes too seriously. Singer even took the non-serious parts of his story too seriously. In retrospect, it’s hard to…

Christopher Nolan’s Batman movies are as revered as any franchise of summer blockbusters can really be in this day and age. But when people make fun of them, they always seem to settle on one thing in particular: the Batman voice. When he’s in his Batman suit, Christian Bale doesn’t have too many long conversations,…

Nobody starts with the origin stories. At least when I first fell in love with comic books, the lure wasn’t the story arcs of these individual heroes. It was in finding out about this whole world full of outsized characters, many of whom had decades worth of interconnecting storylines. When I’d pick up individual…

It could’ve worked. Maybe it should’ve worked. You can understand what everyone involved was thinking. Superhero movies were making money. Marvel movies were making money. Just a year earlier, Spider-Man had been a global phenomenon. Superheroes weren’t necessarily nerd shit anymore. Computer-generated effects had…

Sony Pictures could’ve owned the entire Marvel Cinematic Universe, and it could’ve owned it for cheap. The rights to the Spider-Man character had been bouncing around Hollywood for more than a decade before Sony finally got ahold of them in 1998. (The studio had to trade away to MGM its rights to make an alternate…

If you wanted to take a good, hard look at the difficulties of translating comic books into movies, Alan Moore makes a good case study. Moore is, by pretty much any serious criteria, one of the greatest comic book writers who has ever lived. He did not, of course, invent the genre, and he didn’t conceive vast armies…

Throughout the ’80s and ’90s, the X-Men comics captured the collective imagination of the kids and teenagers who were willing to pay attention to comic books. The books had rich casts of characters. They had great storytelling, with long and ambitious plotlines that would stretch over months or even years. They had…

For whatever reason, a lot of the early superhero movies were also superhero-movie parodies. Before the genre was fully formed—before it was even close to fully formed—movies were using it as grist for jokes. The idea, I think, was that the superhero was a ridiculous and outdated form of American cultural lore, the…

Stan Lee always wanted to make movies. In the ’60s and ’70s, the comic book writer helped to create dozens of characters, and he also laid the groundwork for hundreds more to come into existence. He’d always had the idea that these characters belonged in movies. By 1981, he’d moved away from Marvel’s New York offices…