A few weeks back, you might have seen a video floating around of what appeared to be a Viner Kevin Parry playing catch with his own reflection. It’s hard to look away from, but it’s obviously impossible. That led commenters to speculate on how the trick was done.
“Your friends are all dead” isn’t something anyone wants to hear.
Dogs are friendly, lovable best friends. They don’t want to hurt anyone! So how do movies get dogs to attack people? With visual effects. A special effects team basically creates a digital double of a real dog and then makes it so that the CG-created dog attacks the actor in the way that the movie wants. In this VFX…
Even the most dedicated of method actors usually aren’t keen on having half their face blown off for a role. So where do they turn to when they need to look battle-worn and bloody? A very talented props department.
Last week the internet watched in amazement as Leo Weston solved three Rubik’s cubes while juggling them. Now he’s back to show us how he faked the entire thing, and its just as impressive.
Swapping in a stunt double for an actor in a superhero movie is especially easy, since masks usually hide the character’s face. But the super-human abilities of most Marvel heroes are beyond the reach of even the most talented stunt performers. That’s where digital dopplegangers come in handy.
Terminator Genisys might not have been the most popular movie of 2015, but it did include a memorable fight scene where the old and young versions of Schwarzenegger’s T-800 have an epic street brawl. But how was Arnold able to fight himself? Cutting edge CG, obviously.
Movies heavy in visual effects don’t usually age well because they’re often trapped in their own time capsule. Special effects that were supposed to be impressive become cheesy and intimidating effects that were supposed to add to the plot become laughable. Nothing kills the suspension of disbelief faster than bad…
The first things people are supposed to notice in Jurassic Park are, obviously, the dinosaurs. But what would you be left with if you took the T-Rex out? Some sweeping vistas and people getting very emotional about trees.
Es posible que la conferencia SIGGRAPH no te suene de nada, pero cada año (desde hace 43) atrae a los mejores programadores, ingenieros y artistas del CGI y organiza un importante festival de animación 3D. Esto es lo que pasa cuando reúnes en un mismo vídeo a algunos candidatos de años anteriores.
Deadpool es una película maravillosa que le dio una bofetada al cine de superhéroes. Su protagonista es un antihéroe absurdo, desagradable y extremadamente gracioso. La película la hicieron con un presupuesto bastante limitado, pero los efectos especiales cumplieron con su cometido.
La Academia de las Artes y Ciencias Cinematográficas desde el año 1928 está otorgando un premio Oscar a una película como reconocimiento por el grandioso trabajo en sus efectos especiales o visuales. Este vídeo recopila en menos de 10 minutos a todas las películas que han recibido el galardón.
The 2016 Oscars have some of the staunchest VFX competition in the award show’s history. (Either Star Wars or Mad Max better win, I swear to God.) But the entire 87-year history of silver screen special effects is equally stunning.
In the visual effects breakdown for Agent Carter season one, there are the usual suspects: explosions, effects from mad science, action sequences. But the thing that stands out is just how many effects were needed to turn the show’s California locations into period New York ones.
We show a lot of VFX reels at io9, because we always think it’s cool to see how much work goes into making fantasies look real. In that regard, this excellent Jurassic World VFX reel is no different. In another regard, it also features grown-ups pretending to be dinosaurs.
If you guys didn’t know, the dinosaurs aren’t real in Jurassic World. Sorry. As for the rest of the movie née money printing nostalgia machine that didn’t have half the soul of the original, not much of it was real either. Here’s how ILM pulled off the visual effects in Jurassic World, you can see the tricks they…
Look, we all know at this point that the new Star Wars had some spectacularly lavish CG effects. But even then, it’s still awesome to see a giant, crashed Star Destroyer fall into place like it’s an incredibly elaborate puzzle.
It shouldn’t come as a surprise to you that there was a lot of CG trickery involved in creating the red planet for Ridley Scott’s space thriller The Martian. But even though it’s obviously a very VFX-intense movie, it’s fascinating to see where the sets started, and how they ultimately ended up on screen.
Check out this new sci-fi short! It might become next BLOCKBUSTER!
Whenever the Flash runs, Supergirl flies, or the Legends of Tomorrow travel through time, it’s with Armen Kevorkian’s help. He’s the VFX Supervisor and Executive Creative Director at Deluxe’s Encore, which creates the many, many VFX in these three TV shows simultaneously—and does a damn good job, too.