I’m getting a migraine from the animation jump when the paw meets the head
MichaelRosefield
rosyatrandom
I’m also with you re: the 2016 film. It started great, it could have been great, but it started to feel like it got waylaid by several committees, all of which eager to reference/mimic the original, or prove a point that didn’t need proving.
Scroll, scroll, scroll. Scroll, scroll... scroll? No? OK, then, guess I have to say it:
I know, right?
Hi!
- I’m Jewish.
Guys, guys, you’re all wrong and have bad opinions
> That kinda snark is unprofessional.
You forgot to mention Michael Cera, but then so has everyone else.
I will also accept Michael Pena.
You must really hate the Iron Giant then
I can’t help but think that anything going fast enough to circle the world in a matter of seconds would
Oh no, women... in *my* workplace?
And what in fuck does that mean?
To a ridiculous and unfilmic extent, absolutely
I’d go further and say that it went through several rounds of suits, checkboxing, and committees trying to appease every single Hollywood god in the pantheon
Not too many cameos, please; the cameos and homages/references/trying-to-please-everyone were what killed the reboot
The more I think on this, and the more I look at what is clearly the message TGP has swung to—it’s OK to not be perfect, but you should keep trying to get better—the more I think that it’s heading to a system where people don’t get judged at some point, sorted into Good or Bad, and that’s the end of their journey; but…
Not too bad an order, really
drRrRrRrRr, drR /drR
/drRrR, \drR \drR
//drRdrRrRrRrRr
... did you read the *first* book? Which is to say, *the* book?
Artemis, Anderson continued, acts as a cipher for audiences to project themselves into