rogueindy
rogueIndy
rogueindy

How many Palestinian children would you like to see killed to punish Hamas? Wha’s the number? 20,000? 30,000?

oh get fu©ked. Hamas’ anti LGBTQ+ stance is not, or ever will be, an excuse for the genocide of an innocent population. And you’re trying to use it as a justification by bringing it up here.

This story being entirely disconnected from every other movie and show really helps. Outside of “Revenge of the Sith happens in 100 years”, there’s nothing really to box this story in, which is a very noticeable issue in the other shows, especially Obi-Wan.

(Acoustic strum) ...Dig through the ditches (young man jerks head suddenly) ...and burn through the witches...(young man now convulsing on floor)...I slam ...(Strings soar as young man begins to bleed from the eyes, whimpering)...in the back of my Dragula...

J.J. has said that he was always more of a Star Wars fan than a Star Trek one. I’m sure his Star Wars movies will be great!

it feels like Marvel marched into production on Captain America 4 half-cocked with a novice director at the helm, and when he delivered his first rough-cut of the film, they were so dissatisfied with what they got, they threw it away and started again from scratch.

I read the prequel disdain as more a callout of bureaucracy, not the ideals of the Jedi order.  

People obviously have different releationships with their phones because I don’t find the SMS option anywhere near infuriating. Even if you don’t make a habit of staring at your phone, if you’re waiting for an important message, it feels like a small inconvenience to increase the volume and turn on vibrate to make

What’s wrong with beepers that make a violently-loud noise and try to jump out of your hands when the table is ready? They’re at least noticeable and they’ve worked fine for decades.

I’m pretty sure my grandmother had those sweater flowers on the bottom of her bathtub to prevent her from slipping.

So what’s going on with these documentaries—and Disney’s streaming strategy as a whole?”

I think people keep making the mistake of assuming that Disney has a strategy, for anything. It’s not as obvious as WB, with Zaslav flopping around like a fish that accidentally leapt into a speedboat, but I don’t see any clear

Some of it is weird licensing stuff and deals that were in place with creatives. There’s red tape that seems to come along with streaming stuff.

They’ve been promoting these documentaries all over the place especially through paid social media ads, ad buys on linear cable and articles on a bunch of news sites.

To be fair, Save the Cat doesn’t promote his (admittedly terrible) Stop or my Mom Will Shoot! as the screenplay you should emulate. He actually analyzes a lot of good movies. If there’s a complaint to be made about the book it is that he seems to like when great films follow formulas more than when they subvert them.

This is literally all anyone has ever asked. And I take it to reflect that Maya Hawke is confident enough as an actress and artist and comfortable enough in her career to know she’s going to be weighed favorably on her merits against her advantages and it doesn’t make her less if someone else got screwed over it. To

Except the economic motivations of those hiring nepo children isn’t to fill a role that sells a lot of tickets, it’s to create a generational talent with access to the same network of contacts and producers that the parent had. Lily Rose-Depp, Scott Eastwood, Zosia Mamet. These aren’t actors getting jobs because

Obviously he’s playing Turner D. Century. 

For me, I like the complete experience to be there when I dedicate time to a game.

But I don’t want to play it, learn most of the story, most of the levels, most of the stuff, and then whenever it actually comes out play it again and try to recall what’s new and what isn’t. There are plenty of games to play in the meantime. (Including the phenomenal first one, which I only just got around to playing