neuroticmoose
Neuroticmoose
neuroticmoose

Milo Snuffleupagus?

Milo Yabbadabbadoopolis?

Well good news, Hawley and Fuller just got back from their space mission of retrieving Roddenberry’s space ashes from orbit... but decided that making a show about their space adventure would be a better use of everyone’s time. They chucked Gene’s ashes in a dumpster and Fuller has already quit the show.

...and wake up in a bed next to zombie Suzanne Pleshette?

At this point I feel like this show is just in a long term abusive codependent relationship with its audience

Just watch the original Mobile suit series and it’s movie Char’s counter attack, everything else that isn’t G Gundam is just diminishing returns. Wing is a fucking joke and is only fondly remembered in America where it paradoxically aired outside of the context of subverting the established tropes of the franchise.

Is there anyone India ISN’T in a cold war with currently?

I honestly felt like the elements you mentioned were intentionally over the top, I always took the movie as a very tongue in cheek version of the 80's blockbuster action movie (despite coming out in the 90s) so the sexual politics and caricature villains were part of the goof

Subtext? In Vampire Chronicles? Surely you jest?

The little girl Kirsten Dunst played in the movie

The reasons behind Manimal’s rage is his barely suppressed feelings for an enigmatic Marvel fanboy. Maybe there’s also some murder thrown in that’s artistically shot and over the top 

eh, the first few books were pretty great

I do think it’s funny that he has switched from having his shows cancelled after one season to him just flat out leaving the show after one season

If he sticks with it it could be even better than Hannibal, seeing as the homoerotic and dysfunctional sexual politics (not equating the two lol) are built into the source material. I personally loved the crap out of Hannibal dealing with that stuff as subtext rather than flat out text like Fuller apparently wanted,

It goes back even further than that, to the 1940s and the Noir genre of cynical crime films about flawed outcasts living on the fringes of society getting in way over their heads

I think it’s brilliant and a lot of fun, it works on multiple levels, and I still get choked up at Walken’s recording he left for Colin Farrell about how to finish the Vietnamese guys story

I can respect and understand that reading, even if I disagree. He’s not exactly known for tackling stories revolving around minority characters and big important topics. His last two movies were basically just goofs and subversion on genre conventions, and this one is no different in a lot of ways. I see where you’re

I think he’s related to Aaron Paul

When you stare into the YouTube, the YouTube stares back at you

“Did you forget what site this is?”