j-mack
j-mack
j-mack

Because they are not going to say we are kicking to Ezra to the curb before the movie comes out. For one thing Ezra’s crap has flown largely under the radar with the larger mainstream audience and saying they would be out would just draw attention to it.

I just chalk it up to Miller still having a movie coming out.  They still have a business relationship, so they don’t want to badmouth them.  Gunn is extremely noncommital without being rude, though.  “Let’s see what happens” indeed.

I think a lot of that is due to the fact that only Hollywood can do that kind of intense spectacle on a regular basis, even in the 2020s. I saw Wandering Earth on Netflix and the effects were pretty good, but they still looked kinda dodgy in a few shots and didn’t have the overall level of gloss you see in American

I dunno, I still had more of a bladt watching Godzilla vs Kong on 42inch 1080p tv during the pandemic.  Another movie with a barely there plot and characters I can’t remember the name of. Nothing in Avatar 2 beats Godzilla blasting a hole all the way through to the hollow centre of the Earth. 

I really want a serious sociological paper about why movies that are considered “simplistic”, “without substance”, or, in some cases, “agressively moronic” (Transformers), in the US and Canada make so much money worldwide. I refuse to believe that international audience are just dumber or less sophisticated. That is

I was okay with the level of cool, but I felt the biggest problem with it and every live action adaptation of a animated show is that you simply can’t do slapstick in live action the way you can in animation, not in balance with the serious moments.

Gray/brown apples don’t fall far from the Snyder Tree.

Sucks the Doom Patrol is ending, but I will never cease to be amazed that they made it, and it was near perfect, too!

Yes, that will take an expense off the books - but it also ignores the value of the labor he just punted into the street.  

Doom Patrol did feel like it was winding down. They had explored each of the characters primary issues and were now working towards bringing them towards peace and working better together.

I’m sure they could have managed additional seasons, and I would have loved them, but it doesn’t feel like a bad spot to stop if

I’d argue that the average salary is probably far lower than that. You're forgetting that most of the people working there handle small jobs that make significantly less money than management or computer engineers.

He doesn’t have cash; he has assets, mostly stock in his various companies. It’s the weird world of the hyper wealthy; what he has is not cash but the ability to raise money quickly by borrowing against his assets. But it’s not limitless; there’s only so much banks will lend him at any given time, because they know

Yes. He’s proudly conservative and has donated to candidates over the last number of years (including Trump himself).

Isn’t FNAF associated with a creator who is basically JK Rowlinged?

I don’t know what qualifies as “major,” but Big Mouth has a similar amount of episodes and seasons and is also going into its 7th season, and Jenny Slate stepped down after the third season because she thought an African American voice actor should voice her African American character.

It’s not just the domestic violence charge. It’s gotten a little less press, but there’s also some pretty horrifying text conversations with a handful of minors that have come out that are pretty damning.

I would strongly argue that Venom as not a good movie by any objective criteria. It is a very watchable movie for one reason, and one reason only; the fun dynamic between Eddie and the symbiote, emphasized by Hardy’s totally committed performance. If you look at literally ANY of the rest of the film, it’s as big of an

It’s a Marvel* movie.

Deceptive pull quotes and marketing is absolutely an art in any medium.