Is it just me or is that a weird picture of the two of them. It's like John Kerry's trying to have a staring contest and she's ignoring him
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What about the Head O State, a dildo with President Obama's face on it?
At least partially Mr Escher. In the previous episode after she goes all ninja on the guy who tries to attack her she calls someone and mentions speaking to Mr Escher.
There are tons of white Al Sharptons. Except, unlike the real Reverend Al they've actually got power and influence.
I'll go with Neil Degrasse Tyson on this and say The Blob.
Why not just say "Anything designed in the 90s"?
Yeah I think it's a lot better, and more practical than the swimsuit that she wore after she became Asian and better than the gossamer sleeves of the previous incarnation of her outfit.
Exactly like Rowboat Cop
Best phrase of the interview:
There's one of these in Boston up near the Museum of Science IIRC. It's this one lonely building that was obviously part of a larger series of buildings in the middle of an intersection.
Didn't they already do this with Tin Man?
That Jake cosplay is truly frightening
It's interesting to hear the positive reviews for Almost Human and Sleepy Hollow. Both of them look INTENSELY stupid from their trailers.
Cake Middleton?
I don't think that the author was arguing that people were forced to use it. Just that it was such a useful blueprint for a movie that lots of writers adopted it voluntarily.
The article argues that Field and the other major screenwriting "guru" aren't as problematic because they give you a general act structure and tips on writing where "Save the Cat" apparently does a beat by beat breakdown of a film's structure including giving them catchy names to make them easy to remember. His main…
Ah it was Slate, thanks.
My understanding was that the move to touchpads was because one company owned the patent to the trackpoint and either weren't willing to share or were asking others too much money
There was an article recently at The Atlantic lamenting the influence of screenwriting book "Save the Cat" and arguing that an awful lot of scripts, particularly major Hollywood tentpole scripts, follow the "Save the Cat" formula to the letter. And one of the problems the author points out, aside from lack of…
In some ways this is worse. The stories in those cases are very dense and intricate and it's hard to excise stuff without losing either important plot points or important thematic underpinnings. Plus the nature of Hollywood tends to butcher some of those films. From Hell the movie, for instance, is a pretty…