I also get the sense that Dela’s also been continuing to work in Seattle’s pretty robust cabaret and underground theatre scenes, kind of outside the big bundled drag tour circuit that most of the Rugirls stick to.

Bebe acquits herself pretty damn well in the Library. Comedy didn’t occupy such a central place in Season 1, to my recollection. Her reads are cutting and funny (even if not quite to Ben and Trixie’s level), but they do so managing to stay on-brand for Bebe’s regal bearing.

Last season featured the Library in the opening episode, as well. Especially for returning queens, it seems to highlight the relationships the queens have developed on the tour circuit, and at least as importantly, reintroduces us to the thin character sketches we need going forward, in case you’ve forgotten Chi Chi’s…

Random ‘pinions:

One wonders if they’ve got a bit of a spread-the-wealth ethic in the editing bay, more than during a regular season.

I suppose it’s ‘clueless’ with a helpful side of naive; the way she makes the assumption that the consensus falls on the side of fairness.

But then where would we have had the opportunity for half-an-episode’s worth of homoerotic lingeringly loving shots of KJ Apa’s nubile, hairless body?

Appropriation is certainly one thing.

This is the guy that keeps posting the same thing week after week, right?

I’ll give this much credit - Tyler/Voq is decidedly far more telegraphed, in a lot of ways overshadowing Mirror Lorca. There’s something to be said for setting up an easy Twist! to give the more difficult Twist! just a bit more of a rug-pull.

There are possibilities that we can conjecture that might make it worthwhile.

The AV Club Year in Band Names 2018

I mean - ‘competent’ implies that they put in the bare minimum of due diligence in setting the Twist! up.

We have some intimations that Earth’s history was decidedly more warlike. Imagine that nuclear winter scenarios were more common in Mirror Universe’s history. Only a few generations of reduced sunlight would be necessary for allelic distributions to redistribute in the gene pool, even though that’d be at odds with the…

The giant glowing ball at the center of the Charon is what struck me.

I’m certainly one person that heard the theory before I gave it credence, and gave it at least some wind last week that I found the notion of this development disappointing.

1) Still metatextual.

That impermanence part demands extratextual knowledge. It seems the showrunners recognize the potential for blowback and fallout enough to position Wilson on the aftershow to dispel that. And that grief belongs to Stamets, not to Culber, until he comes back. Or at least we find out how he comes back.

“No True Scotsman”.

Since I’m part of that conversation, I guess I could stand to clarify my position here.