Bamford wouldn't have made that mistake.

http://www.youtube.com/watc…  "Court cases are decided on a series of blowjobs. In fact, our entire civilization is built on blowjobs!"

http://www.youtube.com/watc…  "Court cases are decided on a series of blowjobs. In fact, our entire civilization is built on blowjobs!"

Chekov's Blowjob?

Chekov's Blowjob?

@Radinsky:disqus It's equalization, not filters - it's more like shooting a movie with an anamorphic lens and projecting it with one. The producer puts the distortion in to fit the limitations of the media, you take it back out so it's reproduced right. Just like a codec. If you just straight amplify a record's…

@Radinsky:disqus It's equalization, not filters - it's more like shooting a movie with an anamorphic lens and projecting it with one. The producer puts the distortion in to fit the limitations of the media, you take it back out so it's reproduced right. Just like a codec. If you just straight amplify a record's…

@AFN I'm saying 1/2 to 1/4 based on the assumption that a special effects heavy picture is going to be on 35mm or a 4k DCP, as bigger movies often are. The theoretical resolution of 35mm is closer to 6k, and by the time it's a theatrical print it's closer to 3k (depending on which articles you read, digital proponents…

@AFN I'm saying 1/2 to 1/4 based on the assumption that a special effects heavy picture is going to be on 35mm or a 4k DCP, as bigger movies often are. The theoretical resolution of 35mm is closer to 6k, and by the time it's a theatrical print it's closer to 3k (depending on which articles you read, digital proponents…

@Radinsky:disqus The phono jack is equalized to the RIAA curve, a record player needs to be plugged in to either an amp or the phono jack or it will be distorted. As for dynamics, if you can't hear a difference here, I can't help you:   http://www.youtube.com/watc…

@Radinsky:disqus The phono jack is equalized to the RIAA curve, a record player needs to be plugged in to either an amp or the phono jack or it will be distorted. As for dynamics, if you can't hear a difference here, I can't help you:   http://www.youtube.com/watc…

It's about dynamics, not volume.

It's about dynamics, not volume.

The bars are being cheap or stupid and putting stretched SD channels on with the sides stretched. As for your friends. the trick is to wait until they go to the bathroom and fix their settings.

The bars are being cheap or stupid and putting stretched SD channels on with the sides stretched. As for your friends. the trick is to wait until they go to the bathroom and fix their settings.

An LCD screen doesn't produce light on its own, it has a light shining through it, either a fluorescent or LED. The backlight setting just adjusts the brightness of that light. You might be sensitive to the frequency that the LED was pulsing and dimming might have slowed that.

An LCD screen doesn't produce light on its own, it has a light shining through it, either a fluorescent or LED. The backlight setting just adjusts the brightness of that light. You might be sensitive to the frequency that the LED was pulsing and dimming might have slowed that.

Put it to "Custom", that should have everything zeroed out, then adjust from there to your liking.

Put it to "Custom", that should have everything zeroed out, then adjust from there to your liking.

Seinfeld was shot on film open matte, so for the original 4:3 aspect ratio they were blocking off the sides. When they recomposed them for 16:9 HD, going back to the original film, that meant they weren't totally butchering the top and bottom of the picture, since those zones are usually composed as headroom/footroom. 
…