Plungers?

Came here to say the very same thing. I really enjoyed that one, and I was hoping they'd do the same for other "lost" episodes.

Pedantic counterpoint: not canon.

It's actually pretty difficult. Needs crackerjack timing on the use of the transporter to simultaneously dematerialize the older Bond, and rematerialize the younger Bond in — and this is the hard part — the exact same location! Well, the hard part is doing it without crossing the two matter streams and winding up…

Quantum of Solace is literally him having a drink and listening to someone else tell a story.

Alternatively, My Dinner with Blofeld.

What about John Connor?

He would have had Cormack McCarthy script doctor, so that Rorschach's journal ends up at the Wall Street Journal, instead of a crackpot conspiracy rag. Chaos ensues, the peace fails, humanity is at war. At the end, we cut to Tommy Lee Jones, a hang-dog look on his weathered face, gazing out across the bleak…

It's more than just that, though. The movie was budgeted poorly. Other comedies that pull in the same box office get sequels, but that's because their budgets are considerably lower than Ghostbusters' was.

Sounds like he's a fan of Watchmen.

Paul Harvey?

If it's any consolation, my friend and I used to prank call these guys and the truck driving school ALL THE TIME back in junior high. From payphones, actually.

Good to know!

I haven't watched the most recent season. Did they finally wrap that shit up? Because that was just…boring. I mean, except for Titus Welliver's acting, because he's awesome.

I think it's better that the show end with 13 episodes and start late, than drag on for 22 episodes that go nowhere and just spin wheels for a while. I'd like a concise, punchy ending that wraps it all up neatly, without the need to focus on "monster of the week" procedural stuff.

To be honest, I'm ok with it ending this season AS LONG AS the show actually wraps up all of the plotlines it introduced (e.g. keys, princes, rebellions, etc.).

I can't wait for the episode where they manage to work in an analogue of Second Life.

I read this in the Perd Hapley voice.

Whiiiiich brings up the inevitable question of "WHY THE FUCK ARE YOU MAKING THIS MOVIE?" Basically, if you're going to purposely distance yourself from the original material (so as to avoid being compared to it too much), then why are you bothering to call your film "Blade Runner 2"? Why not just….I dunno…tell a new…

The most interesting fact about composer Johann Gambolputty de von
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