Regular old libertarians just want to do what they want with no consequences, South Park libertarians are still rebelling against mom and dad.

We respect idiocy more than intelligence, that's obvious.

Pants and Kickboxing.

You're doing Allah's work.

No duh, I mean he has the Mr. Rogers cableknit button up, looks pretty normal and has the word "bone". People need to find entertainment in the morass of horrible so why not this schlub in red?

Oh, those wacky South Park libertarians, typically the kind to actually be misanthropes who hate everyone and themselves equally and want to be free of other people and their thoughts. Yknow, libertarians but only for the things they see value in.

Chew is the sort of comic that really ticks a bunch of boxes for me; writing which manages to be smart yet incredibly base at times but always funny, really solid artwork (people who find it too "cartoony" are dismissing it on flimsy reasoning) and a strange premise that leads into some great conspiracy and also has…

This octopus has no chill.

You're soaking in it.

I had to check on those, did seem to lean a little into the alt-right catchphrases.

I haven't watched the majority of the documentaries they use as source material (I think at best it's two so far) but I still like them for how well they nail what made those documentaries tick while managing to inject something unique and comedic into it. I don't really mind which they do, just as long as it has a…

I feel like you don't really read the articles and just see header images without really digging any further.

Cute, is that a poignant line from the show? I mean, I understand the point but it's a work of fiction, comedic fiction even, it needn't work like reality when the comedy can be so broad.

Watch John Oliver EXTRAORDINARY RENDITION Billy Bush! (if only)

Creepy flesh-coloured alabaster bastard.

Kick-Ass 2 got buried intentionally entirely, there's just enough reasonable doubt floating around Hellboy 2 for me to wonder.

Almost like the studio wanted to bury it.. almost.

Okay, maybe Dark Horse can now get a move on with making that stop motion Usagi Yojimbo project already.

I think profundity in comedy might be oversold, often it really doesn't work and the closest parallel I can come up with is Enlisted and how that tried for comedy (which was the strongest aspect about it) but tried to have intimate character drama moments inbetween, all a bit too twee at times as well which felt off.…

I thought that when it was running, it did get overemotional frequently and it dang near ripped your head off when it decided to flip from comedy hard into melodrama, whiplash feels like a mild sprain compared to it. Everyone does seem to respect the dramatic moments but they never melded for me into a whole with the…