burner362
burner362
burner362

How amazing it must be, living in a coastal city. In Chicago, where there is nothing and your only friend is the demonic avatar of winter riding a fixed gear bicycle, you’re lucky if you find an old broken acoustic guitar lying in a trash heap somewhere so you can pluck tuneless melodies next to a space heater until

I also watched Easy in a weekend and enjoyed seeing my local spots on display (“Hey, that’s local celebrity Paul McGee!”). Swanberg’s Chicago is the Chicago of the upwardly-mobile and educated with some capital to pay $12 for tiki cocktails.

You will see that Brexit will end up being a great thing for the EU. All the UK manufacturers will leave for the EU, creating more jobs in France, Spain, Germany...etc. Sure the UK will get crushed but hey, they voted for it so. I’m VERY interested to see what will happen once Brexit actually happen.

But the “stupid jazz guy” made sense for the time and what they were trying to make a point. And such people DID exist.

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You might be reading a little too much into it. Are you British? I’m not, but I work for a British...well, it doesn’t matter what I do, but let’s just say that I’m steeped in 20th-century British history.

I think Fellowes threw in the black jazz guy with the preposterous American accent (and bad singing voice, for extra unappeal) to show exactly how modern and transgressive Rose the flapper was. And then she offs and marries a very wealthy and well-born Jewish guy and they move to New York, even though they’re both

Literally all the orcs were Maori. No, really, watch the “making of” features. And yeah, I have opinions about that,

You don’t get a $110 million dollar budget, like he did for Miss Peregrine, by being an actual art house director.

Alice in Wonderland made over a billion dollars. Granted, that’s high for him, but most of his films from 2000 on make over 100 million dollars. His movies are 100% for average middle Americans. You don’t get a $110 million dollar budget, like he did for Miss Peregrine, by being an actual art house director. For

Tim Horton’s is ok. (Don’t know anything about the guy who founded it, though.)

I never believed Armisin was portraying a transgender woman in that sketch, just playing a woman. Both leads of the show play opposite genders in different characters. Did others have a different take on this?

I find this comment to be masturbaphobic and queer antagonistic and straight up not funny.

I kind of always felt that Carrie being who Carrie is in real life was in some ways making fun of herself with this sketch. As a somewhat overly sincere feminist, I found this sketch in particular as funny as fuck. You could only hit some of these touchstones if you **really know** feminism in a way that only people

Now real estate needs the same make over that CarMax and Tesla brought to autos.

“Historically black neighborhood” aka black people lived here once, before we pushed them out.

The inverse is true too. Carrie in drag as the Pull Out King melts my soul into a puddle of joy.

From my experience in the car business turn over is high for several reasons:

I can’t believe they’re still milking this bit. I haven’t watched Portlandia in several seasons. It seemed much too in love with itself. I do adore Armisen’s “Documentary Now” show.