Eyewitness debuted this year.

Well, if you get that specific. Nothing's cliche. But it's darn close to the premise of Eyewitness.

People are running out of subversive relationships. Do you know for how long "wrong side of the tracks" was a story engine? Now inter-religion, interracial, same sex, and inter-class barely cause a ripple of dramatic conflict.

I thought the Twin Peaks-esque visuals were great, and I was pleasantly surprised by the performances. Some of the dialogue was a little arch for teenagers but at this point, that's baked in to the genre.

I think this is a good start both in structure and casting. But the real test will be whether they have compelling storylines for Rachel and Quinn.

They should've went whole hog and stole everything - flashback within flashback from Out of the Past; long tracking shot from Touch of Evil; alternative ending from Bob La Flambeur; only one song from The Long Goodbye.
For something advanced, the spotlight ending from The Big Combo.

Enlisted suffered from episode order issues as well.

I think Galavant was critically praised. Just no one watched it.

Daniels claims the tone will shift in the next couple of episodes, supposedly because of Trump's election.

The movie looks like the video they show you in line to set up the "story" of a roller coaster at Universal.

On Fullscreen, the final episode of Bret Easton Ellis's latest depiction of attractive people behaving badly, The Deleted will be released today.

It's a bad joke structure - the set up is not designed for two punchlines "Nine Months" and "a little less free wheeling."

Shoot, does this mean I have to find the first edition Iliad?

Given that Ryan Guzman can sing and KChen was in it, why not a musical version of The Boy Next Door?

Right? I've never bought the defense that it's just Noah's perspective.

As much as I like Shameless I've always said that it's Rescue Me with poverty instead of death as the Get Out of Jail Free card.

Yes, The Canyons.

I don't think it's been covered here, but Bret Easton Ellis's The Deleted started on Fullscreen. It's apparently about a group of young people who are on the lam from some kind of cult. The first episode was 12 minutes and tried to do way too much. Also, a great deal of the casting seems based on attractiveness rather…

Was the scene with the female shark attorney supposed to go before the party? It felt that way.

Overall, it kept me engrossed even with it's flaws (I did like the lampshading that Felix's character made no sense.) Remarkably tricky to take a storyline that seems old hat as AI developing consciousness and making it new. The acting was generally superb, and the vistas breathtaking. There are far worse ways to…