WEBVTT

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- Someone got lucky today. Hm?

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- Hey.

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Leave them alone.

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Hop on.

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- Go start the club

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for losers.

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- Enrico, I know that this
movie was inspired in some by

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by childhood summers that
you spent in Italy swimming

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and just living it up,

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where did the sea monsters come from?

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- Sea monster came from
a couple of places.

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One, the feeling

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of my best friend and I
never quite fitting in.

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And now at that age, you
often feel like an outsider

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or not quite right in your
body very often, right?

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There's so much change happening.

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So even early on when I
was thinking about, oh

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there's some maybe what
if they have a secret?

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What if there's something
that makes them really

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have a difficulty?

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Or even embracing themselves?

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That felt like a good, you know

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having this huge changeling
kind of other identity.

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It felt interesting because
it felt true to the age

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the feeling of that age.

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But then also, you know,
we always look for what is

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what can be fun here in animation?

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How can we really have fun?

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And when I visually interesting

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so I love those whole maps
and leviathans and krakens.

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And these, you know, they
speak so much to the mystery

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of the sea.

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We just make stories up because
we don't know what's there

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or we see a little something.

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And we start drawing
them like huge monsters.

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So that came together and I, you know,

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it's a fishing culture where I grew up

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and we started doing a little research of

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what is the dragon that
it's in that little gulf

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that nobody, you know,

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why was there a story about that?

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Or why there was a story

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you know, of colapesce,
for example, in Italy

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which is a boy that spent
so much time in the water

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that became a fish.

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And so we started doing the research

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and it felt really interesting

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and putting those things
together with our characters,

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that was really where it started.

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- Andrea, one of the big
messages in this movie

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as Enrico sort of mentioned

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is like that everyone
doesn't have to accept you

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as long as some people do,

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like a sort of like finding
your tribe kind of situation.

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How long did it take you to
learn that in your own life?

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I'm still kind of learning.

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- Right? It's a big lesson.

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I think for me, I was lucky
enough to have, you know

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I always kind of had a couple
close friends along the way

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but I feel like I found
more of my tribe in college.

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You know, I was an English major.

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I love storytelling.

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And just being around so
many people who adored books

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as much as I did felt like,
oh my gosh, this is great.

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And in fact, I traveled
abroad for a semester

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and there was one situation
as English majors.

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We found ourselves in playing this

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sort of baseball type game.

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And we were all really bad at it.

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And I was like my people.

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Not very sporty.

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So that was one of my moments.

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I knew I had found my people.

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- I am obsessed with the
soundtrack for this movie.

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It's like, always,

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like if I'm at amoeba or
whatever, I'm always like

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I'm going to go to like
music vintage stuff.

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Like that's where I'm going.

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So I'm really super happy with this.

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Can you talk to me sort of
about how it was put together

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and like some of your favorite cuts?

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- Yeah. We knew from from day one

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that a wonderful summer
movie needed an awesome,

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right? Everybody's turning
their radio in these movies.

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It's a genre that needs
this wonderful thread of

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of our songs.

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And that was actually a
huge reason to place this

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in the fifties and sixties,
you know, coming from movies

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like Stand By Me.

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Those were an influence early on.

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And so when I looked at
the Italy hits of that era

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there's so much, I honestly,
it was really hard to

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I wish we could have fit more in there

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because there's this wonderful kind

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of inspiration coming from the U.S. music.

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Sometimes there are
covers of songs that are

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from the U.S. but then
they kind of are met

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with the Italian side of pop.

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So it really just felt

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like we got to put as much,

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put you in there.

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We put that first song.

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And if there's one song that first song

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over our titles and
something snapped into play.

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So I'm like okay, I'm in the right mood.

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I'm ready for this.

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And it's,

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(speaking in foreign language)

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It's a kiss of midnight.

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And there's this old vibe to it

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that places you in Italy.

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So I'm glad you love that.

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There's a good playlist coming

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because you can kind of really,

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it's been four years of listening to this.

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And every day, we would find a new one.

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- I know it's hard to choose.

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- Speaking of hard to choose,
last question, Andrea.

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Gelato or ice cream?

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- Gelato.

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I especially like that Italian, you know,

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Enrico tells us this.

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You pick multiple flavors.

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And I liked that

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because I think it's really
hard to choose one flavor.

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So I like that when you get gelato

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you can kind of put two
or three in the cup.

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- My biggest secret for it that I love.

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It's like one cream
ones, one fruit, right.

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And the way they play with
each other is always wonderful.

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So that would be my suggestion.

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- That's an excellent suggestion.

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- I know your problem.

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You got a Bruno in your head.

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- A Bruno?

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- Say silencio, Bruno.

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- Silencio, Bruno.

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- Louder.

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Silencio, Bruno.

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- Silencio, Bruno.

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- Silencio, Bruno.

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- Silencio, Bruno.

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- Can you still hear him?

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- Nope, just you.

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- Good, now hang on.

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- Silencio, Bruno.