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- We do not go anywhere
near the surface. Got it?

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- Everything good is above the surface

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walking, air , the sky, clouds, the sun.

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Whoa, don't look at it.

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- So part of what your character
Lorenzo is dealing with

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along with his wife is
the fear of Luca their son

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leaving the nest and

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of like not being able
to protect him a 100%.

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You are rather famously a dad.

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How have you dealt with
that in your own life?

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- You know, it's interesting
because there's the perspective

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of the parent where you
want to protect your kids.

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And you also have this belief

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that you are super insightful

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to like any change within your child.

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Like, oh, they're, they're sad.

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Or I can tell that they're they're lonely.

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And then from a kid's perspective,
we kind of looked at us

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looked at our parents
as they knew nothing.

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You know what I mean?

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They didn't know what was going on.

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So there is something of a balance

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between those two things

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that, I'm, I'm very much

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of the attitude that I want
my kids to go out there

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and kind of scrape their
knees and learn, you know

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struggle and fail because
I think half the battle

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is getting up after you fail
rather than falling down.

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- Yeah. I want my kids to get

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like a job at a hardware
store when they're 16.

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Do you know what I mean?

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Like I want them to have to do everything.

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- Yeah. It's like, I think
it's more important, you know

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it's obviously it's
implementing is different

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from a philosophy, but you know

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I want my kids to like have
that job that they're bad at

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when they're a teenager, as
opposed to when they're 30.

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- I mean, I will say that

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like Lorenzo and I can't
remember Maya's character's name

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but like, it seemed, you know

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they went to find him to their credit,

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but it did seem like they
were like, he's gonna be okay.

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Do you know what I mean?

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Like they knew that it
was kind of dangerous

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but like didn't seem
like they were, you know

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really super frantically
trying to frighten them.

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He's fine.

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- And I think, I think
there is an element of,

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of a certain level of optimism

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in this movie that is really refreshing

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in our incredibly cynical times.

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Right? Like we are it

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at kind of like culturally
at a peak, a peak nihilism.

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So, like the sincerity and

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of this movie and the optimism of it

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like you're there looking for
the kids and like, you know

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I'm going to be angry when I find them

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but it's not, you know,
the Daniela who plays

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Maya who plays Daniela does
not have an expectation

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that the worst scenario is to
happen, which is refreshing

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because we live in the worst
scenario of everything.

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What if there's a pandemic and

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and half a million people,
you know what I mean, it's

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it's nice to, to reattach to that,

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that notion of optimism, you know

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- I think it helps that it's set

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in the fifties and sixties too,
when it's like, yeah, sure.

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Ride your bike.

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Who gives a...?

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Do you know what I mean?

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Like, whatever, you'll be fine.

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- Yeah, you don't need the helmet.

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- So you're, you're a global traveler.

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You've been everywhere.

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Have you, have you summered
on the Italian Riviera?

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- I have not.

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I definitely want to, you know

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I'm somebody who watches things

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and I, I don't know if it's,

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you know, it's like, I'm so affected

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by visual things, but like,
I, you know, I watch it now.

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All I did was crave pasta and gelato,

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but at the end of the movie,

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I was like, I got to get to Italy.

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Like, you know, the, you know,
I also wanted to reconnect

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with some friends, but there is, you know

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it is a love letter to the Italian Riviera

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and you know but not
just the Italian Riviera,

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but like those charming small towns

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that you know are really

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you know, that's, that's
when we go on vacation

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that's where we wanna see.

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We don't wanna go

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to a tourist trap and
buy that tourist food.

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We want to go into like some small room

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and get a pasta dish that
somebody just made two feet away.

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- Silenzio, Bruno!

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- Silenzio... Bruno.

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- Silenzio, Bruno!

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- Silenzio, Bruno!

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- Can you still hear him?

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- Nope! Just you!

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- Good! Now hang on!

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- Whoa!

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Silenzio Bruno!