WEBVTT

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(bright electronic music)

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♪ John Quincy Adams was number six ♪

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♪ And it's Andrew
Jackson's butt he kicked ♪

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♪ So Jackson learns to play politics ♪

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♪ Next time he's the one
that the country picks ♪

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- You've got Animaniacs coming back.

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- Hello nurse!

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How about that?

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- I was going to say, like,
were, are you surprised at all?

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I mean, it's been an
on, people have loved it

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this whole time.

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- Thank you for asking.

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And by the way, folks, watch what happens.

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Narf!

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(laughing)
Isn't that the greatest?

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You can't help it, I love that.

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Okay.

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Yes, pleasantly surprised.

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As you can imagine,

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any time you get to work
with Steven Spielberg

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and then, dot dot dot, it's just,

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he's the King of Hollywood, you know?

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My words, but I think,

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I don't think too many people would argue.

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People really connect with Animaniacs.

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People your age and older

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and even older than I, love, you know,

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the updated version of
what's your background,

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the sort of legacy of Looney Tunes.

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And Tom Ruegger and Steven Spielberg

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and Jean MacCurdy and all their staff

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knew exactly what they were doing

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back in the mid-90s, all through the '90s,

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from '93 through '99, I think.

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And Mr. Spielberg a couple
of years ago says, hey,

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you guys think we should do this again?

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And it turns out that we've
got a pretty big fan base.

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God, to get another shot at that?

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With my, with the same actors
as on Pinky and the Brain

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and Yakko, Wakko and Dot?

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Are you kidding me?

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Man, I'll tell you what,

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the view from the water
tower's pretty damn cool, yeah.

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- Ooh!

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They give me that saucy librarian look!

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You know, all bookish,

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then take off the glasses, let
down the hair and. (growls)

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(hysterical laughing)

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- Does it feel the same?

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Like does the, I don't know
if you've seen scripts.

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Does everything feel?

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- Yeah.

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- Linear.

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- Yes.

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And yeah, we've actually
recorded a number of them

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and they're in post-production
now getting ready

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for this fall on Hulu.

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You know what really is great

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and what does feel the same as
being with the other actors,

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it's, we don't have the entire staff

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who was there 25 years ago.

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Some of them are, have
moved on to other gigs.

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Some of them moved on
to the next mortal coil

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or the next plane,

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but being able to be in the same room

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with my friend, the
Brain, Maurice LaMarche,

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and my sister Dot, Tress MacNeille,

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and my brother Wakko, Jess Harnell,

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it's pretty hard not to
love this group of people

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and this, this cast of characters.

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And the music, too.

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There's another 35, 40 piece
orchestra for every half hour.

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Thank you, Mr. Spielberg.

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The show that you're highlighting
with that background,

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you know, with Carl
Stalling and Milt Franklyn,

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Looney Tunes' music was spectacular,

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and that is not dissimilar to Animaniacs.

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That music, whether it's.

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♪ Tunisia, Morocco, Uganda, Angola ♪

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♪ Zimbabwe, Djibouti, Botswana ♪

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Or all these other songs,
they hold up really well.

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♪ Facial and faction and
fractal and fraction ♪

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♪ And fraudulent, fragrant, frappé ♪

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♪ Frankincense, frankish and frakisish ♪

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♪ Shoot, yadda yadda flambé ♪

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- When that show launched,
it was on, you know,

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after school for kids to
watch and stuff like that.

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Do you think that the
audience for the show, like,

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are they trying to reach

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parents of those kids and those kids,

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are they trying to reach,

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because I mean also
like, growing up, I'm 39,

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we watched a lot of Looney Tunes.

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- Sure.

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- And we were sort of
familiar with the tropes

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and I don't know,

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you might know better than I do,

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if kids these days are familiar

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with the Looney Tunes canon
as much as they might've been.

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- The ethos of the show hasn't changed.

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It's not being written to condescend.

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It's being written to appeal to all ages,

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just like Looney Tunes.

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You can watch Looney Tunes now.

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♪ Kill the wabbit ♪

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♪ Kill the wabbit ♪

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Or you know, duck season,
rabbit season, fire, boom!

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And, and you'll watch those cartoons

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that are 40, 50 years old,

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and they're just really good stuff.

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The attitudes change, but
people still love to laugh.

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There have been, there have been, I think,

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appropriate tweaks done
because we live in a time

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that's a quarter century later.

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So there's a lot of
stuff that we can lampoon

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that we didn't have before.

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- Horatio's about to
get a dadgum flat tire.

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(tire popping)

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(shushing)

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(shushing) Yourself!

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(blows raspberry)

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- We're also coming up on
the 30 year anniversary

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of Tiny Toon Adventures.

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- Oh my God, yeah.

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- Does it seem like it's been that long?

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- For me, it was this
glorious opportunity,

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because that was Steven Spielberg, again,

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Andrea Romano, the director,

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Tom Ruegger, the creator,

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Jean MacCurdy, head of
Warner Brothers animation.

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But that for me was an opportunity
to really hone my skills,

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not knowing that Animaniacs was coming.

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But I sang quite a bit of song,

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quite a bit of music on Tiny Toons,

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and I got to play a bunch of
different secondary characters.

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I probably did, I don't
know, 25 or 30 episodes,

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plus the How I Spent My
Summer Vacation video,

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which was excellent.

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I got to be a hitchhiking chainsaw guy

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that wanted to eat carnitas,

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and a couple other things.

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But it put me in really great shape

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to audition for Animaniacs,

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and having been able to
sing for those people

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and perform, they knew that
I could sing in character,

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I could read music, I can, you know,

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sing in Yakko's voice or
Pinky's voice or whatever.

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So Animaniacs for me was the,

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the circumstance in which
opportunity met preparation,

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which ends up being lucky.

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That's how luck happens.

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- Ooh, don't you turn this around on me.

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The woman said she hated me.

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Hated!

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- Those are just words!

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- Words are weapons, Mac.

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Cut the cord!

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- You have taken on a couple
of existing characters.

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One is Mac Gopher.

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- Oh my God.

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- Which existed.

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- Yeah!

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- And then has a whole
new sort of storyline.

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- He has.

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- Like has a whole new what's going on.

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Can you talk about your awareness
of that character going in

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and, and where you've taken him since.

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- When I was a kid, Mac and Tosh,

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as you suggested, were secondary,

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almost tertiary characters
at Warner Brothers.

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Then when the Looney Tunes came back,

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they brought Jess Harnell
and yours truly in

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to be Mac and Tosh.

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I think I was Mac, if I'm not mistaken.

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And of course he was very prissy.

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He was very much like, oh dear.

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He reminded me an awful
lot like my dear friend

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who's gone on to that
large planet in the sky,

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Jonathan Harris, if you
guys ever used to watch

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a show called Lost In Space.

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And so I stole that from Jonathan.

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And put it up here.

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Ooh, no!

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Come along Mac, come along Tosh.

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We going to go to sing and
we're going to go outside.

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We're going to go on a picnic

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and we're going to share each other's joy.

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Oh, it was great stuff.

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- Great sea snork's ghost!

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I can't believe my eyes.

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I can't believe it!

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All my friends are criminals!

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- You were in a couple very
popular series in the '80s.

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You were in Gummy Bears
and you were in The Snorks.

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- Oh my God, yes!

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Snorks, which was basically
Smurfs under water.

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- Yeah.

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I didn't realize growing up
that it was also Belgian,

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which is, you know, Smurfs.

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- I know!

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- So what do you remember
about doing those?

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And I guess kind of one quick,

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when you said like not much
has changed in animation,

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like I know a lot of people
are recording from their homes,

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like how has the experience changed?

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I guess overall.

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- Until the, the circumstances
we have now came around,

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I was going to work every day

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just like I did in the '80s
and '90s and 2000s and teens.

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I really do miss everybody.

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I, I like the convenience
of this, but I'm an old dog.

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I like being around the other actors.

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It's, as you can imagine, a blast

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to be around people who
are so freaking talented.

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And they're all my best friends.

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I mean, I've known these people for,

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in some cases 40 years.

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My process, I'm saying,
hasn't changed at all.

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The ability to animate
things pretty quickly,

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get them out there.

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People who animate at home with programs

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and create stuff like this

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with people all around the
globe and put it on YouTube,

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that's all changed a lot.

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And obviously, as I said earlier,

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the way in which we consume entertainment

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with all these platforms.

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But my process is no different.

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I've spent, I'm an actor, this time

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it just happens to be voice acting,

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which is small V large A.

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And it's all about acting.

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And I and virtually everybody I know

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grew up doing stage and
music and TV and movies.

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And the process for me is no different.

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I just don't have to worry about makeup.

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- Yeah.

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I recently talked to Bill
Farmer, you know, who does.

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- Oh, Goofy.

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- Yeah.

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And he was saying,

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when he took a class with Daws Butler,

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that Daws Butler was like,

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no, you're an actor first,
like capital A actor.

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- He's right.

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- Not just voices,

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and that's always the advice

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he gives aspiring voice artists.

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- Yes.

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And you picked a stellar example.

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♪ Stand out above the crowd ♪

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♪ Even if you've got to shout out loud ♪

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♪ No matter what you look it's Max ♪

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- Max!

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- That is an excellent movie.

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I know that sounds silly.

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But all this time went by

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and we did this reunion for A Goofy Movie.

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Oh my God, people love that movie.

260
00:09:31.300 --> 00:09:34.572
And that dynamic between Max and Goofy,

261
00:09:34.572 --> 00:09:39.280
Jason Marsden and Billy Farmer
respectively, is fantastic.

262
00:09:39.280 --> 00:09:42.230
Bill is a terrific actor.

263
00:09:42.230 --> 00:09:45.180
There are moments in that
movie that are really touching,

264
00:09:45.180 --> 00:09:47.070
especially if you're a parent,

265
00:09:47.070 --> 00:09:51.860
and Billy is an excellent actor.

266
00:09:51.860 --> 00:09:55.030
And as you mentioned, he
got to study at the feet,

267
00:09:55.030 --> 00:09:56.560
or the vocal chords of the master

268
00:09:56.560 --> 00:09:59.330
with Nancy Cartwright and Corey Burton.

269
00:09:59.330 --> 00:10:04.330
They were all in Mr.
Butler's class for 10 bucks.

270
00:10:04.375 --> 00:10:05.772
(laughing)

271
00:10:05.772 --> 00:10:08.940
And he would drive you home
too, if you didn't have a car.

272
00:10:08.940 --> 00:10:11.130
I mean, it's, nice bunch of people.

273
00:10:11.130 --> 00:10:14.780
- Speaking of, I guess studying
at like the heels of giants

274
00:10:14.780 --> 00:10:17.330
is that you were in
Rockin' With Judy Jetson.

275
00:10:17.330 --> 00:10:18.969
- Oh my God.
- The TV movie, 1988.

276
00:10:18.969 --> 00:10:21.714
♪ Bleep blorp fleeble
flabble, zip zop zam ♪

277
00:10:21.714 --> 00:10:23.148
♪ Gleep glorp fleeble flabble ♪

278
00:10:23.148 --> 00:10:26.240
- That, that that that's not my song!

279
00:10:26.240 --> 00:10:28.523
- I wonder what language
he's singing it in.

280
00:10:30.963 --> 00:10:33.870
♪ Hidey hodey heebie jeebie yeah yeah ♪

281
00:10:33.870 --> 00:10:36.964
- All star cast, all the original Jetsons.

282
00:10:36.964 --> 00:10:37.797
- Yeah.

283
00:10:37.797 --> 00:10:39.783
- You had Mel Blanc.

284
00:10:39.783 --> 00:10:42.450
What do you remember
about making that project

285
00:10:42.450 --> 00:10:45.470
and about playing Sky Rocker?

286
00:10:45.470 --> 00:10:47.430
- Sky Rocker, Judy Jetson's boyfriend.

287
00:10:47.430 --> 00:10:48.263
You know what?

288
00:10:48.263 --> 00:10:50.370
Here's what I remember sadly the most,

289
00:10:50.370 --> 00:10:52.460
is that you're almost correct.

290
00:10:52.460 --> 00:10:54.010
All the original characters are in it,

291
00:10:54.010 --> 00:10:58.383
including George O'Hanlon who
played George Jetson, who was,

292
00:10:59.645 --> 00:11:01.909
who passed away not long after that.

293
00:11:01.909 --> 00:11:04.310
He was in his 80s I
believe, as was Mr. Blanc,

294
00:11:04.310 --> 00:11:06.010
or very close to it.

295
00:11:06.010 --> 00:11:08.970
But the one character they replaced

296
00:11:08.970 --> 00:11:11.720
with a celebrity of the
moment was Judy Jetson.

297
00:11:11.720 --> 00:11:16.123
And Janet Waldo was replaced
by the production company

298
00:11:16.123 --> 00:11:18.183
or by the producers with,

299
00:11:18.183 --> 00:11:22.394
the sort of Christina Aguilera
of the time was Tiffany.

300
00:11:22.394 --> 00:11:25.950
And she was a pop singer
who was very popular.

301
00:11:25.950 --> 00:11:28.790
If I had been she, I'd
have taken the gig too.

302
00:11:28.790 --> 00:11:31.170
It was a huge mistake, I believe,

303
00:11:31.170 --> 00:11:32.780
for the producers to do that.

304
00:11:32.780 --> 00:11:34.490
We all knew it at the time

305
00:11:34.490 --> 00:11:38.200
and it broke Janet Waldo's heart.

306
00:11:38.200 --> 00:11:41.930
You know, she was totally
capable of doing the gig.

307
00:11:41.930 --> 00:11:44.170
She was maybe in her 50s or 60s,

308
00:11:44.170 --> 00:11:47.887
you can do this gig till
you die, pretty much.

309
00:11:47.887 --> 00:11:49.520
You know, as long as I can do this,

310
00:11:49.520 --> 00:11:51.410
nobody cares what I look like.

311
00:11:51.410 --> 00:11:54.369
And Janet could, it was
really heartbreaking.

312
00:11:54.369 --> 00:11:57.280
The experience was great
until that happened.

313
00:11:57.280 --> 00:11:59.720
Oh and by the way, I did get
to work with Mel Blanc once.

314
00:11:59.720 --> 00:12:01.147
I mean, next to him.

315
00:12:01.147 --> 00:12:02.700
And that was remarkable.

316
00:12:02.700 --> 00:12:05.257
I, like everybody who has a pulse,

317
00:12:05.257 --> 00:12:07.050
grew up loving Mr. Blanc.

318
00:12:07.050 --> 00:12:10.120
And I said, Mr. Blanc, if
it's not too much trouble,

319
00:12:10.120 --> 00:12:10.953
would you?

320
00:12:10.953 --> 00:12:11.930
And he knew exactly what I wanted.

321
00:12:11.930 --> 00:12:12.763
So he looks and he says,

322
00:12:12.763 --> 00:12:14.170
"Eh, what's up Doc?"

323
00:12:14.170 --> 00:12:15.933
And oh my God, it just,

324
00:12:17.360 --> 00:12:20.405
it was exactly what you would imagine.

325
00:12:20.405 --> 00:12:21.610
Mind-blowing.

326
00:12:21.610 --> 00:12:23.030
And he was just a delight.

327
00:12:23.030 --> 00:12:23.863
- Now you'd be like,

328
00:12:23.863 --> 00:12:26.242
can you please record a voice
message on my telephone?

329
00:12:26.242 --> 00:12:27.075
- Totally.

330
00:12:27.075 --> 00:12:28.195
You know what?

331
00:12:28.195 --> 00:12:32.080
If cell phones were around
at that time, I'm pretty old,

332
00:12:32.080 --> 00:12:32.913
I would have.

333
00:12:32.913 --> 00:12:35.100
Because it happens to me all the time.

334
00:12:35.100 --> 00:12:35.933
You know, I'll say like,

335
00:12:35.933 --> 00:12:38.520
"Hello, you've reached Rob's
answering phone, this is Pinky.

336
00:12:38.520 --> 00:12:39.837
Leave a message, he'll
call you right back.

337
00:12:39.837 --> 00:12:41.320
Unless of course he owes you money,

338
00:12:41.320 --> 00:12:43.070
in which case you'll
never hear from him again.

339
00:12:43.070 --> 00:12:44.070
Goodbye! Narf."

340
00:12:44.070 --> 00:12:45.700
That happens all the time.

341
00:12:45.700 --> 00:12:46.533
And I love it.

342
00:12:46.533 --> 00:12:48.940
- You've done a thousand
something commercials.

343
00:12:48.940 --> 00:12:49.773
- Yeah.

344
00:12:49.773 --> 00:12:52.061
- I guess most notably is
you were in the Aaron Burr.

345
00:12:52.061 --> 00:12:53.880
- Oh my God, got milk, yeah.

346
00:12:53.880 --> 00:12:55.829
- [Announcer] Today's $10,000 question.

347
00:12:55.829 --> 00:12:56.931
It's a tough one.

348
00:12:56.931 --> 00:13:00.880
Who shot Alexander Hamilton
in that famous duel?

349
00:13:00.880 --> 00:13:02.329
(gun blasting)

350
00:13:02.329 --> 00:13:04.470
(muffled speaking)

351
00:13:04.470 --> 00:13:05.333
Excuse me?

352
00:13:05.333 --> 00:13:06.540
- What was cool about that

353
00:13:06.540 --> 00:13:08.810
is not only was it the
first commercial that,

354
00:13:08.810 --> 00:13:10.843
that was a remarkably successful campaign,

355
00:13:10.843 --> 00:13:13.013
Michael Bay directed that commercial.

356
00:13:14.582 --> 00:13:17.530
And so a bunch of us went
on to do other things.

357
00:13:17.530 --> 00:13:19.780
Sean did a lot of TV and movies,

358
00:13:19.780 --> 00:13:20.920
I do wacky voices

359
00:13:20.920 --> 00:13:23.478
and Michael Bay is a multi
zillionaire director.

360
00:13:23.478 --> 00:13:25.240
(laughing) So we've all moved on,

361
00:13:25.240 --> 00:13:26.670
some of us a little higher than others,

362
00:13:26.670 --> 00:13:29.870
but yeah, that was a pretty
remarkable thing to be part of.

363
00:13:29.870 --> 00:13:32.690
Oh, and then another one
that people may not know,

364
00:13:32.690 --> 00:13:36.090
there was a series of
commercials throughout the 2000s,

365
00:13:36.090 --> 00:13:40.060
a little animated guy named
Mr. Opportunity for Honda.

366
00:13:40.060 --> 00:13:41.660
- You got any room for mine?

367
00:13:41.660 --> 00:13:42.493
- Sure do.

368
00:13:42.493 --> 00:13:43.326
- Nice.

369
00:13:43.326 --> 00:13:45.280
That hidden in-bed trunk is really cool.

370
00:13:45.280 --> 00:13:46.410
- A lot of different commercials

371
00:13:46.410 --> 00:13:50.277
for everything from snack foods to Hondas.

372
00:13:50.277 --> 00:13:52.180
- And the, Cheers.

373
00:13:52.180 --> 00:13:53.060
- Cheers, right.

374
00:13:53.060 --> 00:13:55.230
God bless you, you really are good.

375
00:13:55.230 --> 00:13:57.060
I did all the Cheers promos, yeah.

376
00:13:57.060 --> 00:13:58.920
And when they went into
syndication, there was what,

377
00:13:58.920 --> 00:14:01.490
eight or nine years of Cheers promos.

378
00:14:01.490 --> 00:14:03.780
So it'd be, coming up next time on Cheers.

379
00:14:03.780 --> 00:14:08.500
Sam really goes the distance
with Diane, Thursday on Cheers.

380
00:14:08.500 --> 00:14:10.810
Yeah, that was, gosh, a lot of that stuff.

381
00:14:10.810 --> 00:14:12.470
Boy, you really are good, kiddo.

382
00:14:12.470 --> 00:14:15.240
My friend, you are talking to
somebody who won the lottery.

383
00:14:15.240 --> 00:14:17.264
I get paid American dollars

384
00:14:17.264 --> 00:14:20.450
to do what used to get me
in trouble in seventh grade.

385
00:14:20.450 --> 00:14:22.800
And the best part of it is that I know,

386
00:14:22.800 --> 00:14:25.069
I know how fortunate I am.

387
00:14:25.069 --> 00:14:27.229
Thank you very much for taking the time to

388
00:14:27.229 --> 00:14:30.333
talk with all of us who's
banging around in my cabeza.